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    Pavement Special launch is tonight

    Just a reminder that the Pavement Special launch takes place tonight at the swanky Bohemian in Melvile.

    pavement

    My good friend Lloyd Gedye of Isolation.tv fame is behind this brilliant new music magazine, and I will be MC'ing the event and keeping the ladies entertained.

    The line up is killer too - Jim Neversink, Kid of Doom and the BLK JKS are worth the price of admission alone. Come on down - if you're stuck in Johannesburg at this time of year it's not like you have anything better to do, right?

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    Led Zeppelin confirm reunion gig

    Reunion gigs as a rule generally suck. They reek of crass commercialism and are hardly ever as good as the original gigs, mainly because the musicians now dislike each other and it's pretty hard to recreate the magic that they originally had when playing together. A notable exception to this rule was the Pixies' recent triumphant reunion tour but I suspect this is because there was always the feeling that they had split before their prime.

    South African bands have been known to stretch the reunion tour to ridiculous lengths. I reckon parliament should have enacted a law called "The Squeal Law" that prevented bands from having more than 5 tearful "final farewell" shows. It would have saved the Nude Girls SA bands a whole lot of trouble.

    On the other hand, I think its a terrific idea for Led Zeppelin to do a reunion gig. I would give my left testicle (the good looking one) to attend this show. Almost all modern rock music was directly influenced by these guys and it is one of my lasting regrets that I never got to see them live - in fairness I was 16 when they split. The guitar riff from 'Black Dog' is possibly the greatest riff of all time and it would be unbelievable to hear it being played live by Jimmy Page.

    BBC NEWS | Entertainment | Led Zeppelin confirm reunion gig

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    Arno Carstens is supporting the Rolling Stones in Spain this weekend!

    Yesterday I got a call on my landline from Arno Carstens looking for Jerome, my housemate. Jerome is the ex-drummer for Cape Town rock pioneers Nine, and nowadays he splits his drumming duties between Arno Carstens' New Porn and my band The Diesel Whores. It turns out that Arno and his band had been selected to open for the Rolling Stones in San Sebastián in Spain this Saturday the 23rd June.

    A few minutes ago Jerome left for the airport and the band flew to Spain tonight to what is certainly going to be one of the best gigs of their entire lives. This is a huge break for Arno Carstens, and potentially massive for South African music in general. As a musician I cannot think of anything better than supporting the Stones in front of 35000+ people in Spain during the summer, except perhaps playing the Bohemian in Melville on a Monday night :).

    Its been a pretty huge two weeks for the band. They have just returned to South Africa from playing the Isle of Wight festival alongside bands like Muse, Wolfmother and the Stones, and they obviously made enough of an impression to get this support slot in Spain. I much prefer the Springbok Nude Girls catalogue to Arno's more middle of the road solo fare, but he is one of the hardest working musicians in this country, and a genuinely good guy to boot, and he deserves every bit of success that comes his way.

    Jerome said to me he was more excited about attending the afterparty on Saturday night than playing the actual gig - I think the Isle of Wight afterparty had a deep and lasting impact on his fragile drummer psyche.

    Arno Carstens será telonero de los Rolling Stones en Donostia, junto a los bilbaínos Zenttric (Spanish Press Release)

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    MyKakFest - Guns and Roses withdraw from the concert

    Guns and Roses have just announced their withdrawal from MyCokeFest due to an injury to legendary ex-Replacements bassist Tommy Stinson. To be honest, Tommy Stinson was the only reason that I would have attended the gig at all. Some of the South African acts are worth watching (Dirty Skirts, Taxi Violence, Parlotones and maybe the Nude Girls), but the rest of the line up was lame as all hell.

    Hey, now that they don't have to pay Guns and Roses (which should have changed its name to the Fat Axel Experience by now) maybe they can afford to actually pay the South African acts. Word on the street is that the Nude Girls and Parlotones are getting paid, but that the other SA acts are playing for the "prestige".

    If you would like to see some real rock and roll then check out Taxi Violence and the Hellphones tonight at Back2Basix in Westdene. It costs R40, you can leave the venue and come back in again later, and you don't have to queue for three hours to get a R15 bottle of water.

    Guns n' Roses withdraws from My Coke Fest

  • Last.fm - social networking for (almost) grown ups

    I have been using Last.fm since October 2004 and over time it has grown into my favourite website ever. Last.fm utilises a plugin that reports the songs that you listen to to a central database that gradually builds up a profile of your music tastes. The geniuses at Last.fm explain it better here:

    Last.fm is the flagship product from the team that designed the Audioscrobbler music engine. More than ten million times a day, Last.fm users "scrobble" their tracks to our servers, helping to collectively build the world's largest social music platform.

    Last.fm taps the wisdom of the crowds, leveraging each user's musical profile to make personalised recommendations, connect users who share similar tastes, provide custom radio streams, and much more.

    My good friend Lloyd Gedye, Mail and Guardian journalist and chief blogger at Isolation.tv, wrote an article for the M&G about Last.fm that appeared in last week's edition and is reproduced here on his excellent blog. He quotes me in the article (thanks Lloyd!), and explains the features that make this an essential service for music junkies like myself.

    Last.fm is also a glimpse into the future of music radio. I spend most of my day working on my PC and listening to my Last.fm friends' radio stations or to custom radio stations that I have built myself. No ads, no irritating "personality" DJ's, certainly no generic Billboard Hot100  tunes playing 8 or 10 times a day. Once wireless broadband becomes cheap and ubiquitous enough I will be listening to Last.fm or services like it in my car too. Traditional music radio stations will gradually lose more and more listeners and either switch to a local talk radio format or die.

    I have "scrobbled" 21 798 tracks since October 2004 when I joined, and as a result Last.FM has built a very accurate profile of my music tastes and interests. I have met a whole bunch of Diesel Whores fans through the service too - its really cool when a kid from Brazil emails you through Last.fm to say he likes your music. Last.fm is free, but there is a $3/month subscription option that gives you more control over your radio stations and a totally ad-free service. I have been a subscriber since late 2005.

    Every track that you listen to is a wiki and can be tagged. This has enabled Last.fm to build up an incredible database of user generated information about artists and songs. Check out this flattering profile of my band that a guy called TenRapid submitted.

    I know this sounds like an advert, but last.fm is so good that I just had to write about it. Try it out - if you enjoy finding new music you won't be disappointed.

    My Last.fm Profile - go on, add me as a friend.

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    EMI to sell DRM free music for $1.29/song

    Techcrunch reports that EMI and Apple have just announced that they will be selling DRM Free music on iTunes at a premium rate of $1.29 a song. This is in all probability the beginning of the end of DRM, especially for music. DRM was a bad idea, both in concept and execution, and the fact that a major label has decided to go this route is a big step.

    A few things still irk me though. Why sell the DRM free music for $0.30 a track more than their crippled music? Why not simply replace the DRM'ed tracks with the higher quality DRM free tracks in the catalogue? It can't be a cost thing - if anything DRM free tracks are cheaper to convert, store and sell because you are cutting out all of the license rights and DRM management that you had to do before. Its not like DRM free music was not available before - they are called CD's.

    Also, the cynic in me says that this is Steve Jobs' way of giving in to the major label's requests to raise the price of their music above $0.99 a track on iTunes - something Jobs has resisted until now. Now that we have a $1.29 price point expect to see the other major labels following suit pretty quickly.

    This is pure speculation, but I bet EMI and Apple have worked out some kind of way to fingerprint downloaded tracks too. Conspiracy theorists, you heard it here first.

    None of this will impact my music purchases much - I buy 95% of all my music at Emusic.com - high quality DRM free tracks at under $0.25 a track, and most of the catalogue is available for download in South Africa.

    Techcrunch: EMI, Apple To Sell DRM-Free Music for $1.29/song


Hi, I'm Jaxon Rice. By day I run a Johannesburg based web company called Soup and by night I am the frontman of the Diesel Whores. This is my personal blog. more...

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